We are Inigo
Inigo is an estate agency for Britain’s most marvellous historic homes, from the team behind The Modern House.
At Inigo, we believe a beautiful home is a pleasure that never ages. We connect discerning individuals with extraordinary spaces, no matter the price or provenance.
Covering urban and rural locations across Britain, our team combines proven experience selling distinctive homes with design and architectural expertise. We unlock the true value of every cottage, coach house and conversion we represent by telling its story with in-depth features and magazine-quality photography.
We take our name from Inigo Jones, the self-taught genius who kick-started a golden age of home design.
Rosie’s work for Inigo is informed by her love of history and literature, as well as her experience negotiating hundreds of sales with The Modern House. At Inigo, she is jointly responsible for the day-to-day running of the business, directing the appraisals and sales teams and taking a special interest in people development. Prior to joining Inigo she worked in both the wine industry and in publishing, making her an excellent judge of the qualities we hope to see in every one of our homes – that is, a fine vintage and a good story.
Emma has an academic and professional background in art history, meaning she brings a deep understanding of our architectural heritage to her role as Senior Director. Jointly responsible for the day-to-day running of the business, she focuses on marketing and commercial strategy, combining human insight with a rigorous, data-driven approach. Historic architecture has long been a passion of hers: for her MA in art history at the Courtauld she specialised in the late-Victorian period, with a thesis that looked in depth at the Watts Chapel in Compton, Surrey. Before joining Inigo and The Modern House, she held roles at the Wallace Collection, Modern Art Oxford and the Affordable Art Fair.
Georgia leads Inigo’s appraisals team, combining a convivial manner with formidable research skills to make sure every owner we work with gets the most out of their home. A graduate of the Courtauld Institute of Art, she has an omnivorous interest in architectural history, from the flamboyance of the Rococo to the glorious excesses of the Bloomsbury group. When not admiring our nation’s fine stock of historic dwellings, she indulges her taste for the bucolic, exploring the countryside, as well as cooking and knitting. She is always inspired by an ingenious renovation, and especially keen to meet clients interested in conservation.
With a background in both real estate consultancy and fine art, James brings a commercial acumen and a deep understanding of the history of design to his appraisals work for Inigo. Something of a renaissance man, he enjoys working on carpentry and classic cars in his spare time, and is as conversant with history and politics as he is with the finer details of Georgian terraces. He holds a Bachelor’s degree in art history and an MSc in Real Estate.
Drawing upon extensive personal experience in buying, restoring and selling period and listed properties, Jamie works to bring Britain’s most beautiful homes to Inigo, specialising in the prime market. A former editor and consultant in the fashion world, he combines a sharp aesthetic eye with a deep appreciation of architectural history, and enjoys working with clients to uncover the unique features and peculiarities that make up the unique story of each home we represent. Though, when it comes to architecture, his taste is diverse; he has a particular soft spot for the English Baroque and Georgian periods – if you want to get him particularly excited, just put him in the vicinity of a cantilevered stone staircase.
Jabin’s warm disposition makes her the perfect first point of contact for Inigo, where she is instrumental in booking appraisals, drawing up contracts and perfecting the listings for every home. An English graduate and voracious bibliophile, she supplements her research for Inigo – and curiosity for culture – with gallery visits, travel and by exploring the architecture of her local area. Having grown up just south of the Thames, she’s particularly fond of a warehouse conversion – Victorian, if possible, though she wouldn’t turn her nose up at a Georgian townhouse either.
As the leader of Inigo’s sales team, Lucy encourages a collaborative and informed approach, ensuring we offer the best service possible. A photography graduate with a background in location acquisitions for film and TV, she has overseen countless sales at The Modern House, giving her a deep understanding not just of the market, but the emotional importance of every one of our homes. She enjoys arts and crafts in her spare time, and is a particular fan of the architectural style of the same name, which she appreciates for its sublime individuality.
A skilled negotiator dedicated to providing superlative service, Tansy brings a collaborative and balanced mindset to her sales work at Inigo. Drawing upon her legal education and extensive experience selling unique and characterful homes, she endeavours to build lasting, empathetic relationships with clients to ensure our sales are as smooth as possible. She’s always had a passion for period homes, having grown up in a Georgian farmhouse in the South Downs, and continues to be inspired by the glorious miscellany of Britain’s many coincident layers of architectural history.
Gigi’s detail-oriented and empathetic approach to sales is informed by her background in event production and hospitality, as well as her personal interest in art, design and architecture – particularly the British Palladian style. At Inigo, she is responsible for ensuring the successful exchange of homes between owners, with a view to making the entire process as positive and intuitive as possible. Her interest in people and their stories have shaped her other enthusiasms, which include traveling, art history and food culture.
Marketing & Editorial Team
As well as taking charge of our marketing strategy and campaign planning, Holly uses her sharp eye to point out potential opportunities for business growth – all skills she’s gotten down to a fine art after spending more than a decade building brands. Prior to starting at Inigo, she cut her teeth in the sustainable fashion world; first at ethical footwear company TOMS, where she was EMEA Brand Marketing Manager, and later at THE-ACEY, a responsible womenswear label which she founded and ran for five years. This eco-conscious mindset naturally lends Holly to the additional role of Inigo’s Sustainability Advisor, in which she helps us have a positive impact on people and the planet in everything we do.
Ruby is Inigo’s champion when it comes to external press coverage and is responsible for combing through our listings to uncover the stories that will make headlines. Liaising between the sales and marketing team, she helps to make sure every Inigo home receives the attention it deserves, while also overseeing our internal communications. A history graduate and avowed flaneuse, she enjoys exploring London on foot, delving into hidden corners to uncover its wealth of architectural marvels.
Natasha is the editor of Inigo’s Almanac. A natural born storyteller with a sharp aesthetic eye, she spends her days creating and curating features about the homes, interiors places and pursuits that inspire Inigo (and its readers) on a daily basis. When not dwelling upon the wonderful idiosyncrasies of Britain’s finest historic homes, she likes to travel, particularly in Italy, where she enjoys the spectacular selection of art and architecture – not unlike Inigo Jones himself. Before Inigo, she was interiors reporter at influential design blog Dezeen.
Ruwaida focuses her boundless energy on creating beautiful content for Inigo’s website and social media feeds. When she is not juggling phones, editing images, and coordinating calendars, she enjoys a different kind of screen time – specifically, a good film, though she is also a fine wordsmith and keen writer. A maximalist at heart, she is drawn to the Rococo, and shares that period’s love of ornamentation and extravagance when it comes to historic homes.
Hannah is responsible for growing the Inigo community, seeking out new clients and partnerships while nurturing our existing relationships. As an architecture graduate, she has an exhaustive understanding of Britain’s built history, but also a love for the stories behind buildings and their users, and is always keen to talk to people about the homes they love. Crafty and creative in her spare time, her dream home would be a Tudor cottage, preferably with a walled garden in which she could potter and paint.
Charlotte is Inigo’s roving eye, managing a team of researchers dedicated to finding special homes across the country. Her determined deep digging, informed by her background in fine art and photography, is what helps us to uncover many of our most spectacular hidden gems. When not seeking out new homes for Inigo, she tends to be occupied with her own, a Victorian property for which she is currently sourcing a range of period-appropriate reclaimed fixtures and furnishings. She’s also a good person to go to for recipe recommendations, being the proud owner of every cookbook under the sun.
Rhiannon is responsible for keeping Inigo’s inner-workings running smoothly, working with teams across the business to ensure our software tools are as efficient as they can be. Her background is in both real estate and hospitality, meaning that she combines a thorough knowledge of the market with a people-focused approach to tackling every technological challenge. Based in York, she is permanently surrounded by beautiful buildings and bucolic countryside – both of which she makes the most of in weekends spent hiking, climbing and exploring.
Drawing upon their shared experience as design editors and journalists at esteemed publications such as The World of Interiors and Wallpaper, Matt and Albert co-founded The Modern House in 2005.
Its innovative approach to estate agency, in which the value of good design is placed first and foremost, has led it to be described by GQ as “one of the best things on earth”.
It is this same appreciation of quality, architectural integrity and the history of art and design that led them to launch Inigo in 2021.
Our inspirations are diverse: from the freewheeling creativity of the Bloomsbury group to the fashion houses of Gucci and Issey Miyake, and, of course, the grand classical visions of Inigo Jones himself.
We pursue this love of the idiosyncratic in everything we do, whether that’s appraising an immaculately preserved country house, or discovering exciting new talents offering fresh perspectives on the past.
Our Guild is a select group of creatives and thinkers united by their eclectic taste and eye for the extraordinary. In their inspired ideas and creative pursuits, they exemplify what we’re about.
Sophie Ashby’s irresistibly friendly interiors are the result of what she calls “continual foraging”. That might mean sourcing art from across the globe, or working directly with craftsmen and artisans to develop special pieces, or it might mean picking her way across the colour wheel to discover new, arresting combinations of tone and texture. Any which way, the result is always bursting with character, approaching the antique with a curious eye, yet bringing it all together with a bracing modernity.
Her own home in London’s Spitalfields, which she shares with husband and fellow Guild member Charlie Casely-Hayford, has an impressive history. Not only is it a beautiful example of the Georgian style – which she admires for its “proportions and elegance” – it also formerly belonged to the interior designer and writer Jocasta Innes, author of the 1982 colour bible Paint Magic, whose spirit lives on its rendered terracotta walls. “Apparently she was inspired by the colors of China where she grew up,” says Ashby. “It’s something that just feels really rich and unique.”
A brilliant fashion designer, an impeccable dresser and, most importantly, a charming human being, Charlie Casely-Hayford is, in our humble opinion, the very best kind of triple threat. In his work for Casely-Hayford, a label that he co-founded in 2009 with his father, the late Joe Casely-Hayford OBE, he continually delves into Britain’s sartorial and subcultural past, returning season after season with clothes that take time-honoured tailoring techniques to bold new places via modern cuts, daring prints and sporty details.
Charlie’s boutique on London’s Chiltern street – long a destination for anyone looking for a bespoke suit with a bit more of a kick to it – is worth a visit not just for the beautiful clothing but also the soulful interiors, designed by his wife and fellow Guild member, Sophie Ashby. Go to admire the antique dressers and African art and, perhaps, to catch a glimpse of such illustrious clients as Tinie Tempah and Jodie Comer. But, be warned, you may just emerge with a new peacoat.
Duncan Campbell is a multidisciplinary designer whose eclectic sensibility brings colour and wit to everything he touches. As one half of the creative studio Campbell-Rey he has been tapped in the past by the likes of Bentley, Christie’s, Zara Home, and Clos19 for projects ranging from art direction to event design. Today the studio is focused solely on interiors and product design, with residential projects in London, New York and the Netherlands underway, as well as Campbell-Rey’s ongoing collaboration with the Venetian glassmaker Laguna B.
To the Inigo Guild, Duncan brings not just a love of a good time – and thank goodness for that – but a deep passion for 18th-century architecture in all its forms, from the exuberance of English Baroque to the austerity of Neoclassicism and the mad frivolity of Strawberry Hill Gothic and Chinese Rococo. His own homes, in London and Gloucestershire, which he shares with his partner, the designer Luke Edward Hall, are living proof that la dolce vita lives on in our grey 21st century – for further proof, see his Instagram. “The mix of styles is still important,” he says “but so are the stories attached to things and the way they remind me of a place or a person or a trip somewhere. It’s much less about individual pieces, but rather the feeling of home that they evoke all together.”
Lucinda Chambers’ visual signature is an infectious sense of fun, derived from her ability to mix patterns, colours and textures with both wild abandon and supreme elegance. As fashion director of British Vogue from 1992-2017, she informed the tastes of the nation while consulting for brands including Prada and Marni, eventually becoming a designer at the latter. Today, she is the designer of Colville – a label she launched in 2018 with ex-Marni colleagues Molly Molloy and Kristen Forss – and the co-founder of Collagerie, an e-Commerce platform on which she turns her magpie-like eye upon the best high street and designer brands.
Lucinda derives her love of interiors from her mother, a resourceful single parent who put her children through school by renovating and decorating houses. Having moved 18 times as a child, she prefers to stay put these days, enjoying the continually evolving character of her Edwardian home in Shepherd’s Bush, where she has lived for 30 years. She’ll be the first to admit her vibrant interiors – awash with colour, filled with curiosities, and humming with clashing patterns – “start with a plan”, but therein lies their appeal: hers is a home where layers of lived history combine and collide in the best possible way.
As editor-in-chief of fashion’s most intelligent magazine, The Gentlewoman, Penny Martin has long flown the flag for a kind of style that leapfrogs every passing trend. Formerly chair of the fashion imagery department at London College of Fashion, and editor-in-chief of Nick Knight’s innovative online platform SHOWstudio.com, she brings both taste and an academic perspective to the field of contemporary pop culture, celebrating a mind-expanding range of accomplished women in each biannual issue, with past cover stars including talent as fascinatingly diverse as Beyoncé, Angela Lansbury, Simone Biles, Cindy Sherman and Margaret Atwood.
Though she admits that modernism is her “mother tongue”, she currently splits her time between a Victorian cottage in London and a fisherman’s house in the East Neuk of Fife, near where she grew up. “It’s not really the style of a house that attracts me,” she says, “I just want to live in a place with a strong personality, whether modern or historic.” Recently, she’s been delving further into the history of her local area in Fife, discovering many fine examples of local vernacular furniture – a pursuit, she says, “which could prove expensive.”
Katie Fontana is the co-founder and creative director of Plain English – two words that have become a shorthand for “good taste” in the interiors world. Established in 1992, Plain English creates magnificent bespoke kitchens and interiors the old fashioned way, by hand, drawing in particular on the “understated simplicity” of early Georgian design. It’s a period and aesthetic that, says Katie, “has a serenity and quietness that I find endlessly pleasing and never seem to tire of.”
To the Inigo Guild, Katie brings her finely tuned aesthetic sensibility, a passion for the handmade and an endless curiosity about the design of the past, and how it can be reimagined. “I hunt out overlooked examples and details, joinery and quirks,” she says. “All the answers are there, you just have to look for them. The skill is in choosing which parts to use.”
Charles Saumarez Smith is a writer, curator and historian whose career in the art world has established him as one of Britain’s pre-eminent cultural figures. Mixing a deep knowledge of art and architectural history with a marked sensitivity to the zeitgeist, he has steered the development of several of the nation’s most prestigious institutions, including the National Portrait Gallery, the National Gallery and the Royal Academy of Arts. Today, he is professor of architectural history at the Royal Academy and chairman of The Royal Drawing School, a trustee of The Garden Museum and an emeritus trustee of ArtUK and Charleston.
Charles lives with his wife, the artist Romilly Saumarez Smith, in a magnificent Georgian townhouse in east London, which they have painstakingly renovated to preserve and restore many of its original 18th-century features. To step inside is to encounter a singular aesthetic, suffused with deep colour, entrancing artworks and layers of antique texture.